It is the sensorial that drives Wolheim. And the profundity of learning by doing.
Ambitious, creative, and curious, this is an artist of many hats. A pluralist.
Her professional life as a creative began at 14, in a strict French kitchen. The dance with fire, the adrenaline, and the multisensory potential of food as a medium intrigued her. Intellectually food is an infinite font culturally, socially, politically and emotionally. A fertile period ensued. Immersed in weights and measures of semolinas, meats, oils and acrylics, Christine thrived in kitchens both humble and starred, with hardscramble crews who became family in far corners of the world….
Wanting to pursue less temporal art forms, Wolheim returned to her native California, where she pursued painting and photography, at the San Francisco Art Institute. There, she developed a distinctive style of collage as both a medium and painterly compositional strategy. In parallel, and inspired by the varied tradition of abstract expressionism, her intuitive relationship to color and mark-making played out in large abstract canvases.
For Wolheim the work always derives from phenomenological experience. Painting is energy. Cuts and scraps. Textural pleasures of paint. Saturation of colour. Ingredients, their measures, their pairings, their smells. Dense forests. Back alleys. Stammering in new languages. Humble encounters. Collaborations. The gravitas of a warm, crusty pull of bread. The consequence of a found, vintage silver spoon. Dinners and seats at the table. Getting lost. Discovery.
It’s not about translating an idea or image, but rather magnifying the energy of that experience whether through abstract or representational forms.
This notion itself is magnified in Wolheim’s approach to the canvas, particularly her abstract paintings: “There’s something about the verticals. It’s what my body does when it meets the canvas. The physicality of the paint is in direct relationship to how my body is interacting with the canvas and paint”. The immersive scale and gesture is important for the maker and subsequently the viewer. The abstract paintings emerge out of a collaborative effort between the artist and her materials, and the limiting parameters she sets forth for the painting to realize “itself.”
Whereas her palpable gestures annunciate her physicality in her abstract paintings, they rather seamlessly paint the ground upon which the figure nests or abounds, drawing attention to their figure-ground relationship that is so slippery and essential in her image based, collage style compositions. There, and in her actual collages, pattern and repetition, whether painted, collaged, or perceived within compositions, is an essential element in these works. They not only reference interior physical spaces, but internal, psychological spaces as well, eliciting Christine’s belief that our biography becomes our biology, on a cellular level, thus determining our behavior patterns.
Wolheim’s vocabulary employs colour, shape, movement, erosion, images, layering and placement. Her palette, whether working in pure abstraction or selected iconic images, ranges in rich, saturated, often incongruent hues to soothingly spare uses of what, at first glance, appear to be black and white on raw canvas. In reality these contain much nuance in color, texture, and sheen.
Christine Wolheim lives in San Francisco and she’s restoring a log cabin in her hometown of Kings Beach, Lake Tahoe. She works per assignment as a Food and Prop Stylist and set designer for her day job. She also teaches art workshops, and mentors junior artists. She loves hunting for source inspiration, vintage textiles, cultural artifacts and props, to add to her large prop and surface collection. As an ex-chef, Christine still cooks for friends, drinks wine, makes runners, bags, clothing, and custom fragrances. She has a habit of re-doing orphan chairs, loves riding her Vintage Vespa, which reminds her of her years living in Italy. Christine practices Reiki as a way to help herself and others regulate their nervous system in a chaotic world.
To see her commercial work go to: www.wolheimstyle.com
Anti-Sexual violence piece
with Model Channy
for "We Step Into The Light" show
SOLO EXHIBITIONS
2019 Captain OKO Design
Point Reyes, CA
2018 Lines and Gestures
Yonder
San Francisco, CA
2011 Balms for the Busy
Cowboys & Angels
San Francisco, CA
2006 Paving the Way
Di Pietro Todd
San Francisco, CA
2005 Helium
24seven @ 49 Geary
San Francisco, CA
2005 Fabricate
Ambitalia
Mill Valley, CA
2004 Wolheim
24seven @ 49 Geary
San Francisco, CA
2000 Heaven
Luna Rossa
San Francisco, CA
1997 Fotografie delle Marche
Il Particolare
Petritoli, Italy
1997 Recent Works
Wyatt Studio Gallery
San Francisco, CA
GROUP EXHIBITIONS
2024 In Flux: Recalibrating the Unknown
MONCA: Museum of Northern California Art
Chico, CA
2017 TOGETHER
Heron Arts
San Francisco, CA
2011 We Step Into the Light
Create Social Change Exhibition
San Francisco, CA
Artists were paired with a survivor of sexual violence and invited to make a portrait of their subject as not merely a survivor but as one who thrives.
2008 Rock. Paper. Scissors
Untitled Gallery
Sausalito, CA
2006 Winter Show and Auction
Hotel Des Artes
San Francisco, CA
2003 Wolheim, Garcia, Del Rosario
Washington Square Gallery
San Francisco, CA
2002 Untitled
Limn Gallery Showroom
San Francisco, CA
2002 SF/LA
Basswerk Gallery
Los Angeles, CA
2001 The Arts Forum Inauguration Exhibition
Irvine Fine Arts Center
Irvine, CA
2001 Five New Artists
Kweejibo Gallery
San Francisco, CA
2000 In the Beginning
Mission Cultural Center
San Francisco, CA
2000 Women's Work Jubilee
Venue 9
San Francisco, CA
1999 Endo/Exo
The Music Annex
Menlo Park, CA
1999 The New Book of Etiquette
Diego Rivera Gallery
San Francisco, CA
SELECTED COLLECTIONS
Vanesssa Silva, San Francisco, CA
Carla Bourque, Woodacre, CA
Joe Kyle Jr, San Francisco, CA
Vx Capital Partners, San Francisco, CA
Younossi Law Offices, San Francisco, CA
Lupe Restaurant, San Francisco, CA
Ty Hunter, San Quentin, CA
Thomas Roedoc, Sausalito, CA
Anthony Grant, New York, NY
Frances Bowes, San Francisco, CA
Jessica Ress, Sausalito, CA
Major Mugrage, San Francisco, CA
Former Mayor Willie Brown, San Francisco, CA
Merlin Coleman, Berkeley, CA
Amanda Rieux, Kamuela, Hawaii
Agnes Kersten, Amsterdam, Netherlands
Donna and Ian Fitzpatrick, Greenbrae, CA
Davy Crockett & Mara Meisner, Mill Valley, CA
Ilya Yukhtman, New York, NY
Elaine Kim, San Francisco, CA
Adam Bard & Renee Beard, Boston, MA
Nancy Colville, Los Angeles, CA
Lourens Crous & Arturo Cosenza, San Francisco, CA
Katie Christ, Sonoma, CA
Tracey Fischer, Joshua Tree, CA
RELATED PROFESSIONAL EXPERIENCE
2022–present Art Workshops. 3 hour and multi-day workshops guiding particIpants through the process of abstraction, collage, Indigo dyeing, figure gesture drawing, etc.
2020–present Youth Mentor in Art: Learning to Trust One’s voice, Authentic mark making. Creative excursions and lessons in studio: instructing on a wide range of materials
2018 Ombre Wall Treatment Design and Video
Sunset Magazine Home Style
2008 Cover Art for Anti-Poetry Magazine
August edition
2006 Commissioned Paintings, Paul Wallace
Interior Design
San Francisco, CA
2006 Compact Disc Artwork and Cover Design for Merlin Coleman
Berkeley, CA
2004 Business Card/Artwork/Brochure Design
Interior Alchemy
San Francisco, CA
2003 Guest Lecturer at San Francisco Art Institute
San Francisco, CA
2000 - 2004 Founder, co-curator and host
Woolsey St. Downstairs Gallery & Cold Cuts Sessions
(an ongoing monthly salon)
Berkeley, CA
2002 Commissioned Painting, Insalata's Restaurant
San Anselmo, CA
2002 Compact Disc Photography, Artwork and Cover Design for Peoples Bizarre
San Francisco, CA
1997 Art History Tutor, San Francisco Art Institute
San Francisco, CA
EDUCATION
1997- 2001 B.F.A. San Francisco Art Institute
San Francisco, CA
GRANTS, AWARDS and AFFILIATIONS
1999 Honor Studio Recipient
San Francisco Art Institute
San Francisco, CA
1998 and 1999 Ivan Majdrakoff Painting Merit Award
San Francisco, CA